There are a variety of viewing choices available which let you preview your designs before output using view modes, make mode comparisons and arrange your document view.
Vector
Pixel
Retina pixel
Outline (wireframe)
X-ray (wireframe)
Hairline
The view mode is made up of two distinct components:
During design, vector objects are presented as if they are constructed from individual pixels. This is an accurate representation of how your design will appear once exported and viewed as an image.
As for Pixel mode above, but represents how your design will display on retina and high DPI displays.
Drawn objects are displayed as vectors by default. This means that, regardless of the current zoom level, objects (and applied effects) are always presented with smooth vector edges and transitions.
As for Outline view mode, but page objects still display their fills at reduced opacity. On more complex designs, perhaps when zoomed in, this helps to interpret the view better.
During design, page objects are presented as paths only (with no fills or strokes). All otherwise obscured paths are exposed, and selection behavior changes so grouped objects can immediately be selected just like ungrouped ones. In complex designs, this can be used to more easily target unlocked and locked objects for selection.
For CAD documents, Hairline mode displays designs as CAD apps would display them. All lines are displayed as thin lines so line weights are ignored, regardless of zoom level.
These are not modes but additional options that can be applied to any view mode.
This gives the option of viewing your document in grayscale. This is useful when evaluating contrast and dynamic range more easily.
This hides any layer effects applied to your document. It helps to improves performance on more complex documents where extensive layer effects are used.
You can apply different option settings to different sides of a split view.
You can switch from the default single view to split view to compare any two combinations of view modes.
Presents the selected mode in isolation on a single page.
Simultaneously presents two modes side-by-side on the same page, allowing for a visual comparison to be made. A sliding divider can be repositioned to view different areas of the design in either mode. Either view is selectable, allowing you to set different combinations of view modes.
This option, set by default, restricts the document view, so you can only see objects which are placed on the page. If objects extend beyond the page, the area which lies on the page is visible while the area which lies on the pasteboard is hidden. Objects which are entirely on the pasteboard are hidden.
When Clip to Canvas is switched off, the pasteboard is visible, as are all the objects placed on it.
Clip to Canvas can be used in conjunction with any of the above view options.
Click one side of the divider.
The divider label displays as black for the selected side (otherwise displayed as gray).
There are times when it is useful to view a design at different zoom levels simultaneously. This can be achieved by opening your current document in a New View. The views can then be set to different zoom levels. Changes made to any view are replicated in the other.
Do one of the following: